During the first thirty years under communism, China completely banned crime fiction. After Mao, however, crime genres of all kinds-old and new, Chinese and Western-sprang up in profusion. Crime narrative again became one of the most prolific and best-loved forms of Chinese popular culture, and it often embodied the Chinese people's most trenchant and open critiques of their ne...(展开全部)

How did American schoolchildren, French philosophers, Russian Sinologists, Dutch merchants, and British lawyers imagine China and Chinese law? What happened when agents of presumably dominant Western empires had to endure the humiliations and anxieties of maintaining a profitable but precarious relationship with China? In Chinese Law in Imperial Eyes, Li Chen provides a richly ...(展开全部)

作者普实克（1906－1980），欧洲最负盛名的中国文学与文化学者，前捷克斯洛伐克科学院院士，东方研究所所长。他所领导的东方研究所曾是二十世纪五六十年代欧洲最有成就的中国文学研究中心。六十年代初，他和美国夏志清教授关于后者所著《中国现代小说史》的讨论，曾在欧美引起很大反 响。 编者李欧梵，台湾大学外文系毕业，美国哈佛大学博士，香港科技大学人文荣誉博士。现为哈佛大学东亚系荣休教授，香港中文大学讲座教授，“中央研究院”院士，曾任教于普林斯顿大学、印第安纳大学、芝加哥大学、香港科技大学、哈佛大学等著名学府。主要著述包括：《铁屋中的呐喊》、《中国现代作家的浪漫一代》、《西潮的彼岸》、《中西文学的徊想》、《狐狸洞话语》、《现代性的追求》、《上海摩登》、《我的哈佛岁月》等二十多种，并出版有小说《范柳原忏情录》和《东方猎手》。 译者郭建玲，浙江金华人。二〇〇七年毕...(展开全部)

作者普实克（1906－1980），欧洲最负盛名的中国文学与文化学者，前捷克斯洛伐克科学院院士，东方研究所所长。他所领导的东方研究所曾是二十世纪五六十年代欧洲最有成就的中国文学研究中心。六十年代初，他和美国夏志清教授关于后者所著《中国现代小说史》的讨论，曾在欧美引起很大反 响。 编者李欧梵，台湾大学外文系毕业，美国哈佛大学博士，香港科技大学人文荣誉博士。现为哈佛大学东亚系荣休教授，香港中文大学讲座教授，“中央研究院”院士，曾任教于普林斯顿大学、印第安纳大学、芝加哥大学、香港科技大学、哈佛大学等著名学府。主要著述包括：《铁屋中的呐喊》、《中国现代作家的浪漫一代》、《西潮的彼岸》、《中西文学的徊想》、《狐狸洞话语》、《现代性的追求》、《上海摩登》、《我的哈佛岁月》等二十多种，并出版有小说《范柳原忏情录》和《东方猎手》。 译者郭建玲，浙江金华人。二〇〇七年毕...(展开全部)

The Edge of Knowing explores the relationship between the rhetoric of dreams and realist literary practice in modern Chinese literature from the May Fourth Era in the early twentieth century through the period just following the end of the Cultural Revolution in 1976. The writers' attention to dreams demonstrates the multiple influences of Western psychology, utopian desire for...(展开全部)

Malaysian Chinese (Mahua) literature is marginalized on several fronts. In the international literary space, which privileges the West, Malaysia is considered remote. The institutions of modern Chinese literature favor mainland China, Taiwan, and Hong Kong. Within Malaysia, only texts in Malay, the national language, are considered national literature by the state. However, Mah...(展开全部)

Realism and the rhetoric of dreams intersected in modern Chinese literature from the May Fourth Era in the early twentieth century through the period just following the end of the Cultural Revolution in 1976. The Edge of Knowing investigates this relationship, showing how writers’ attention to dreams demonstrates the multiple influences of Western psychology, utopian desire for...(展开全部)

The Edge of Knowing explores the relationship between the rhetoric of dreams and realist literary practice in modern Chinese literature from the May Fourth Era in the early twentieth century through the period just following the end of the Cultural Revolution in 1976. The writers' attention to dreams demonstrates the multiple influences of Western psychology, utopian desire for...(展开全部)

格里德尔（J.B.Grieder），中文名贾祖麟，哈佛大学博士，美国著名中国研究学者费正清和史华慈的学生，布朗大学历史系教授（现已退休）。专长研究中国知识分子史，主要著作有《胡适与中国的文艺复兴》及《知识分子与现代中国》等。

Since the Cold War ended, China has become a global symbol of disregard for human rights, while the United States has positioned itself as the world's chief exporter of the rule of law. How did lawlessness become an axiom about Chineseness rather than a fact needing to be verified empirically, and how did the United States assume the mantle of law's universal appeal? In a serie...(展开全部)